"Locked" for instance has the loose rhythmic structure and bass weight of dubstep but the kind of acoustic textures of his Rounds era material, while "Lion" combines Border Community style minimal techno with the unmistakable Hebden glockenspiel. The answer is an emphatic yes although several of these tracks are more dancefloor focused than we've seen previously, the melodies and textures are unmistakably Hebden. Review: Primarily comprised of previously vinyl-only tracks released by Kieran Hebden on his own Text imprint over the past 18 months, you'd be forgiven for wondering if Pink should be treated as a proper Four Tet album or not. It's as excellent and compelling as you would expect from this sublime mix series. Inside, you get shreds of house and techno from Four Tet and Nils Frahm himself, among others, but the mix explores much wider terrains Miles Davis makes an appearance with the masterful "Concerto De Aranjuez", electronic dub maestros Rhythm & Sound join the party the timeless "Mango Drive", and even Nina Simone's "Who Knows Where The Time Goes" gets selected. This September is Germany's Nils Frahm who takes care of the selection, and the DJ/producer serves up a gorgeously vast selection of sounds from around the globe and from all corners of time. Moreover, these guys have invited some of the biggest names in the game over the last fifteen years, a highly impressive catalogue which includes the likes of Fatboy Slim, Jamiroquai, AIR, Arctic Monkeys, Sly & Robbie, and many more of the same calibre.
#Peter brotzmann hello my baby series#
Review: Apart from Ministry Of Sound and Fabric, the Late Night Tales crew is perhaps the best and most respected compilation series these days.
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